Nicole Hill: the knee brace that changed her life!

A man once said it's not all about dance. In the dance company, Urban Artistry, there are individuals from all walks of life with extremely diverse backgrounds. I tend to find myself thinking quite often about how this all came to light. It's really profound how one individual that had a vision, despite the negative backlash of several nay-sayers, created and sought out individuals who shared the same vision but didn't know the ways of making it come a reality.

I used to work with my now, mentor, Ryan Webb. In the beginning, our shifts didn't coincide. He worked in the morning and I worked in the afternoon. We were cordial, and then we became friends. Eventually, he taught me popping and we spent the whole next summer practicing and hanging out everyday. In turn, he took me to a dance studio in D.C, where I took a few house dance classes from Junious “House” Brickhouse.

The weekend of July 4^th, 2006, Ryan invited me to go to a house club off New York Avenue in Washington, DC called Mirrors. House, Tasha, Emily, and Ryan were there.

Within 15 minutes of being there, I was dancing, and my knee turned one way and my body turned the other way. I was on a dark dance floor, with music blaring, and I was hunched on the floor. Eventually, people realized that I wasn't doing a floor move, and that I was really hurt. The music stopped; the lights came on, and some one called an ambulance. Unbelievably, one of the patrons who was just hanging out and having a drink was an Orthopedic Surgeon! The dancers and her stayed with me on the floor of the club until the paramedics came.

House, barely knowing me, only as a student who took his class once or twice, volunteered to ride in the ambulance with me, even though he hates riding in them. He held my hand the whole time and consoled me. Tasha and Emily, having never met me before, followed suit with Ryan, behind the ambulance. They all stayed with me at Georgetown Hospital throughout the night while they took x-rays and treated me for the injury.

As I mentioned, this was fourth of July weekend, so needless to say, there were characters throughout the hospital. These wonderful individuals could have continued partying “all night long” a la Lionel Ritchie, at one of the biggest party nights in one of the big house clubs in D.C. Instead, they chose to spend time with someone they barely knew who needed help. We were there at the hospital from about 11pm that night to 5am the next morning. I was taken aback by how empathetic, caring, and compassionate, these individuals were, especially House, who stayed with me during the whole ambulance ride an in my hospital room.

I thought to myself, “this is something that I would do for another,” but I had never witnessed such a great selfless act like this before, on my behalf. Earlier I mentioned that I believe in fate... from that night on, I knew that there was a connection between me and these people coming from both sides. The caring for me continued as I recovered from the injury. I knew that I could trust them because the loyalty had already been built from the ground up... not only from the dance floor, but also in real life. The people in this group had a foundation for relationships that I always wanted in my life.

I didn't want to stay away. I wanted to get to know this circle of people even more. I was fresh off this injury when open auditions arose to join Urban Artistry in 2007. Coming fresh off an injury I had many doubts and concerns about whether or not I was ready to do normal everyday things, like walking, let alone dancing. But, I took a chance and auditioned, despite my fears and doubts, as a leap of faith...in fate... There's that word again.

I made it into Urban Artistry, and I was ecstatic, but unsure because this was my first time being part of a dance company. It was foreign to me. I was challenged to perform on stage, doing solos and choreography. Battles ranged from international sensations to beginners. I was vulnerable in the cypher and all of these experiences were helping me build character. I also joined the operations team, helping with event planning, website organization, rides for the kids to compete in jams in other cities, hosting of international guests during soul society and party planning for birthdays and baby showers.

Urban Artistry is not your typical dance company. It is designed to keep you honest, extremely honest... even when you try not to be. This honesty is not just with where you are as a dancer/performer/artist, but with where you are as a person, in all aspects of you life.

Urban Artistry stresses the importance of family.

With these lesson and support, I became strong enough to be completely honest in all aspects of my life, including my sexuality. This was a big step for me and gave me a new sense of freedom.

It also brought joy into my life.

We find humor in life, positivity, and we are just down right goofy at times.

Most importantly being with this group makes you deal with your fears and take them on. No more escaping and hiding from a task that ultimately makes you more courageous. It makes you see that you are capable of so much more than what you have ever imagined.

That wise man who said it was not about the dance was Junious. I have learned now that dance is a tool to unhinge the best person that you could possibly be, and to fasten yourself to dreams that you thought were not attainable. They can be reached, and once reached, more goals grow... a perpetual, rhythmic cycle of rebirth. During my six years with Urban Artistry, I have grown into a stronger me, both on and off stage. I am better equipped, both with friends and with colleagues.

As I look at this group of once five loosely connected people, to a group of 50 close knit people, I am touched that people are discovering their own paths of growth with the common goal in mind.

I always struggle to find the words to describe what I feel about the mission of Urban Artistry, and what the people in it mean to me. I cannot find the words to express my gratitude and appreciation enough for what each person in UA has shown me about myself.

To my friends in UA and new members I have not met yet, I thank you.

-Nicole Hill-

Artistic Director Ryan "Future" Webb on "FINDING BALANCE"

Finding Balance

Artistic Director Ryan Webb

Growing up, my family and I were constantly traveling. Both of my parents were flight attendants and naturally I just went everywhere they did. On top of these travels, we also moved a lot. Starting in Houston, Texas, we moved to Wake Forest, North Carolina, and ended up settling in Ashburn, Virginia. As soon as my college years started, I began moving and traveling again. My freshmen year was spent at Christopher Newport University in Newport News, Virginia. The rest of my college days were spent in Oceanside and Fullerton, California. All of these travels and moves are apart of my long journey to find a place that I could call home. Not just somewhere to sleep, but a place that felt right for me! It may have taken a while but I found this home in Urban Artistry.

As some of you may know, Rashaad and myself have been traveling for dance quite often in the past few years. From Korea, Japan, London, Sweden, Germany, and Denmark, we have gotten to experience multiple cultures overseas. The more dance experiences we are gaining, the more reassured I become that Urban Artistry is the most healthy learning environment for any dancer. The fact that House decided everyone must battle, compete, perform, teach, mentor, and direct has always been an ingenious idea for me. All of these aspects of dance are so important in giving you balance! Most of us in Urban Artistry don’t even realize how lucky we are to be learning ALL of these things.

For example, Rashaad and I traveled to London last year for our first major theatre show, “Human Robot”. It was performed at the Sadler’s Wells, which is one of the most well known theaters in the world. Although the stakes were high, for us it was just another day at work because we had been prepared for it through Urban Artistry.

When you begin paying close attention to each countries dance scene including our own here in the United States, you will see just how much each scene can learn from each other. Some countries lack cypher culture, others lack performance ability, the problem comes when people get stuck specializing in certain areas. The reason having balance is so important is because when you are traveling, knowing what the dancers are missing allows you to give them what they need. I could go on and on about each dance scene individually but the main purpose for this blog is to inspire you all to do everything!

Don’t just be a performer or a battler. Be a mentor and a cypher head as well. Never sell yourself short and remember that the things we learn in dance are also teaching us about everyday life. The better dance teacher you become, the better your communication skills will be. The more you perform, the more you learn about presenting yourself in front of others. Everything in life is a battle! Competition is everywhere so if you learn about battle techniques in dance, use them at your day job or while in debate with someone. It’s fun! Use what you know from dance in your every day lives, because the truth is if you are a balanced dancer, you have the ability to be a balanced person as well.

In closing, I just want to say; let’s all try to keep each other motivated to do everything as a dancer. Not only will it help you find balance, but it will prepare you for future dance travels as well. Traveling is amazing and a great learning experience, but let’s not forget how good we have it here at home guys….

Urban Artistry is a great group of people, and I appreciate you all for helping me find the place that felt right for me.

A Musical Journey with Russell Campbell

The torrential rain storm could not keep Russell Campbell’s fans from attending his set at 18th Street Lounge (ESL) this past Sunday evening. Also known as DJ Mate Masie, his entire two hour mix compelled us to feel as if we were all dancing on the edge of our own record. A record that Russell had brilliantly created with music he chose to play - or music that chose him.

One thing you should know about Russell is when you first see him on the dance floor, he exerts a radiant energy that puts you in a trance. Allowing for the music to move him, his motion is fluid. Once he stops to take a break and you have the chance to talk to him, you realize that not only is there deep sincerity, but patience and understanding as well. This appropriately explains Russells’ choice for the name Mate Masie, which originates from the West African Adinkra symbol and is interpreted as, “You understand what you hear.”

Much like a composer creates a story with her score Russell has created his own, bridging two of his many passions: music and dance. Humbly, he realizes that he was not alone in this creation; who he is today stems from his true roots.

Born in 1983 and raised in Silver Spring, MD, Russell was exposed to music from all genres at an early age. Coming from an extensive, talented musical family, Russell’s grandfather, Bill Campbell, played tenor with the legends (– The Intruders, James Brown and Etta James, to name a few), his grandmother, Pauline Campbell, sang at the Good Hope Methodist Church and also played the Hammond B-3 organ, and his father, Vincent Campbell Sr., is a vocalist who plays bass guitar.

Though Bill Campbell would not all allow for Russell to take part in his band (Russell recalls a conversation where Bill told him, “You aren’t old enough”), when it came to music, he was Russell’s greatest inspiration. A WWII veteran, he spoke very little and the two were able to communicate through music. Both playing the saxophone, his grandfather would play notes or patterns which Russell would then mimic. This was one of many lessons that Russell learned from his grandfather, and mimicking sounds would help him much sooner than he thought.

After learning from his grandfather that he was not allowed to play with his band, Russell was determined to make music a personal goal. He spent many hours in the family room, which was set up like a small studio, where he would play the piano, drum set and saxophone. In middle school he auditioned for the school band and for two years mimicked the sounds from those around him. He finally confided in his conductor that during all of this time he could not read sheet music. Instead of being upset, his conductor only challenged him more, asking him to play the bassoon. During his high school years, Russell was not only an incredible athlete on the field but simultaneously played percussion in the drum core.

Once Russell turned 16, he hit the ground dancing. “Music and dance, that’s what I did.” With his collection of records expanding along with an interest in becoming a DJ, Russell was soon introduced to house music. House music is a style of electronic dance strongly influenced by disco with elements of soul and funk. It originates from a Chicago nightclub, otherwise known as The Warehouse which was popular from 1977 to the mid-80's.

Russell received his first house record from DJ Black Caesar and being a B-Boy from Silver Spring who usually danced to funk, he assumed he would not care for it. However, when the needle hit the vinyl and the sounds of ‘We Lift Our Hands in the Sanctuary’ played by Una and DJ Oji and ‘Love and Happiness’ by India MAW rattled his eardrums, he was hooked.

In his early twenties, Russell started spending more time at Club Red, where the party ‘Underground Soul Solution’ was held. Each night, Club Red was a new experience for Russell. He was overwhelmed that there was a room full of people who were moving together and no one was stealing the spotlight, as b-boys have a reputation of doing. He suddenly felt the need to experience this feeling more and more – to see how other people lived their lives and why they danced the way they did. He soon came to accept that breaking was not the only dancing style. Those moments triggered a new energy in him, and soon he too was dancing with the wave of others. He was able to release his emotions through dance and accept his feelings, as well as accept what others were feeling. After all, the mentality of dancing with an open mind and spirit are vital to growth in the musical and dance world.

It was here at the Underground Soul Solution where Russell first met the infamous DJ Sam “The Man” Burns. Through the years, Russell had been influenced by Sam by watching and listening to him mix. Russell quickly learned that Burns had the musical ability to emotionally release those who were open, thereby allowing the music to take them for a ride.

The more time he spent listening to DJs and dancing, the more he learned how a crowd reacts to music. He now knows how to take control of the room and how to tell a story differently each time, even if the same track is played. Russell explains that house music is a way to express yourself and allows you to keep yourself in a place of understanding, hence DJ Mate Masie. As he explained, “the people are counting on you to keep the energy up and to keep them engaged.”

Advice Russell gives for those in the musical industry is that it is essential for musicians to do their research. “It’s your goal to actually be the researcher so you can play the songs or the tunes that people can feel parallel to.” This research will provide the knowledge that eventually helps musicians relate to the crowd as well as the ability to keep themselves in a place of understanding - that way, they are not solely playing but also teaching.

Russell embraces change. He sees this not only in the beat of music, but also in plants, animals, people and life. How fitting his response, when I asked him what his favorite season is and he replied with, "fall".

Russell has evolved since the beginning of his musical and dancing career and continues onward. And I for one am excited to watch this evolution – a man who not only lives a legacy but shares it.

A sample of DJ Mate Masie's music from last Sunday at ESL....

Russell Campbell is an acting artistic director, teacher, performer and producer of films with Urban Artistry.

-mea

Roosee from the SLEEPWALKINGZ Crew visits Urban Artistry in Washington DC

Urban Artistry was pleased to welcome Bulgarian Bboy, Dancer and DJ; Roosee (Rusi) Yusifov of the famous SLEEPWALKINGZ CREW, http://www.kination.com/Welcome.html to the United States for the past three months. The folks at Urban Artistry met Roosee and some other members of his crew at one of the local events held by UA called THE CORRECTIONAL FACILITY, during their visit to the States in 2008.

The jam made history that night as members of the Sleepwalkingz Crew decided to call out the judges for battle. This particular night the judges chosen happened to be some of DC's BBOY Legends including, Brent "VORTEX" Talley of Natural Elements Crew; Sonny "GHOST" Tran of Lionz of Zion and Joe "FATRAWK" Nguyen of Arrive to Defy. This battle would be one of the first and only times Sonny and Brent had battled together since they were both in Natural Elements over 10 years ago! For those of us who have been around the scene for awhile or have simply been fans of the bboy scene in DC, this night will be remembered for a long time!

(Judges Call Out Battle Part 1)
http://www.youtube.com/watch?v=IuIeQ2BElYE

(Judges Call Out Battle Part 2)
http://www.youtube.com/watch?v=uaiADLhrEoo

In September 2009 the Sleepwalkingz got together with the United States Embassy in Sofia, Bulgaria to bring Urban Artistry to their Annual Hip Hop Festival JAM ON IT.

http://www.jamonit.bg/

During the festival Urban Artistry members:

Junious, Rashaad, Russell and Rizqi all gave workshops in various urban dance styles.
http://www.youtube.com/watch?v=4FbbYp6OuEg

Russell and Gabe judged the bboy footwork battles.
http://www.youtube.com/watch?v=dmvs1hIyMnI

Rashaad won the 1 vs. 1 popping battle.
http://www.youtube.com/watch?v=PvLo8zZBIGI

The group performed of their popular piece "ONE DREAM."
http://www.youtube.com/user/SofiaPAO

Attending this event allowed the two groups to continue growing the urban artist exchange program they have been developing between Bulgaria and the United States over the past few years. Bringing Roosee here to the States was part of a series of exchanges we hope to get funding for in the future.

Next, Urban Artistry Founder/ Executive Director Junious "House" Brickhouse will visit Sofia again in February 2010 to give a series of workshops on urban dance and culture in collaboration with the United States Embassy in Bulgaria and their efforts to educate the Bulgarian community on the importance of Black History Month in American Culture.

The two crews hope to find funding to bring the Sleepwalkingz Crew out for Urban Artistry and Rogue Squirrel's Annual Urban Dance Festival www.hiphopsoulsociety.com which takes place throughout the DC Metro Area the weekend of April 15th-18th in 2010.


In October 2009, Roosee obtained a work VISA to visit the States and work with Urban Artistry as a fellow, dancer, performer and musician (DJ). During his stay he participated in several shows and performances with the members of UA. He also served as a International Guest Judge alongside, DC's own Ironman (CAB CRU) and PAULSKEE (Rock Force Crew, MIGHTY 4, OUT FOR FAME) from the San Francisco Bay Area at THE ILLEST INGREDIENT, a local 2 vs. 2, Odd Couple bboy/bgirl battle held in Dupont Circle on December 12, 2009.

(Illest INGREDIENT GROUP PAGE)
http://www.facebook.com/group.php?gid=342309905332

(JUDGES SHOWCASE- BBOY)
http://www.youtube.com/watch?v=3Ekfcxw0YK4


During his visit to DC, Roosee also collaborated with:

DJ Obeyah, http://twitter.com/obeyah
DJ Mate Masie, http://www.myspace.com/ironmancabcru
Halfstep http://www.myspace.com/bboyhalfstep
DJ Baronhawk Poitier http://twitter.com/DJBaronhawk


on several music projects, including an International Guest DJ spot presented by YEAH CLASS at GAZUZA, a well-known Hooka Bar and Lounge in Dupont Circle. He also helped as a DJ at the Artist in Residency Preview Celebration for Urban Artistry's Open House at their new home in Columbia Heights, The Dance Institute of Washington. http://www.danceinstitute.org/

Throughout the month of Janaury 2010, Roosee taught often during the Urban Artistry Open Practice Session which takes place every Sunday at The Dance Institute of Washington. This free open practice is funded in part by a Hip Hop Initiative grant from the DC Commission for the Arts and Humanities. http://dcarts.dc.gov/dcarts/cwp/view,a,3,q,638459,dcartsNav,%7C31624%7C.asp

In December 2009 he taught a beginners workshop in the Urban Artistry Education Program presented by Emily "Incognito" Wessel and Russell "Ironman" Campbell at their past home in Tenleytown, The DC Dance Collective. http://www.youtube.com/watch?v=V2mwsjlHICE

Roosee also placed in the TOP 8 at the 3 vs. 3 battle at the Breakers Delight Jam, "WHO'S HUNGRY 2010" along side Russell "Ironman" Campbell and Emily "Incognito" Wessel, which took place at The hearts in Motion Dance Studios in Springfield, Virginia.

http://www.youtube.com/watch?v=7kw_d6YJQX4 (PRELIMS)
http://www.youtube.com/watch?v=WtY9CRwEQWE (TOP 8)
http://www.youtube.com/watch?v=stYyq3gu_J0 (HD Version TOP 8)

For his last weekend here in DC, Roosee will enter Schoolin' Sessions II, a local 3 vs. 3 battle with friends Russell "Ironman" Campbell and Carlendra "Shyrock" Frank both members of the Maryland Chapter of CAB CRU before heading up to NYC on his way back to Sofia, Bulgaria, 2/10/2010.

http://www.facebook.com/home.php#/event.php?eid=239568581895&index=1 (Facebook Event Page)

From all of us at Urban Artistry, we want to take a moment to thank Roosee for visiting us to share his gift of art, dance, music and culture. We will see you in the cypher again very soon my friend...

- The Urban Artistry Family-

Correctional Facility Best Of DVD Promo Video 2010

Since 2006 Urban Artistry in collaboration with CAB CRU and The Assassins Crew International have come together to bring you 5 amazing urban dance and culture events called the Correctional Facility. Visit www.youtube.com/urbanartistry for more details on the event and uploaded footage that has already been released.

The full length DVD is complete with cypher footage, hip hop battles, bboy/bgirl battles, seven to smoke, locking performances, waacking performances, house dance performances and popping battles. There are call out battles with DC icons Vortex (Natural Elements Crew), Ghost (Lions of Zion Crew) and Fatrawk (Arrive To Defy) from Bulgaria's famous Sleepwalkingz, solos from Frantick, Future, Rashaad, Popula, among others and hot box footage with Maryland's own Ironman. This DVD box set promises to give you everything you would expect from a Best Of DVD Series.

See the promo available now and stay tuned for the full length DVD which will be available in late 2010. A special thanks goes out to the probono filmmakers who captured this footage for us, especially Geoff Bund, Nick Huynh, Daniel Lagdameo and their assistants, the DJ's, Baronhawk Poitier, Mate Masie, Halfstep and Obyeah, the local, national and international competitors, MC's Halfstep, Ironman and Guerilla Will and the many guests who made this event possible.

We are grateful to all the supporters who believe in the Correctional Facility Mission that when talk is ineffective, we can correct through movement. Stay tuned for more events to come in 2010.

www.urbanartistry.org/events.html

Urban Artistry new show premier presented at The Performing Arts Center at Montgomery College on 11/17/09 at 7:00pm

Last night at the open house for the brand new, beautiful Performing Arts Center at Mongtomery College in Silver Spring, arts in schools agent Class Acts Arts presented the latest new work by the Urban Dance Company, Urban Artistry entitled "DIGITAL FUNK 5002."

The concept and stage direction for this piece was created by internationally recognized Artistic Director, Rashaad Pearson (Urban Artistry, Assassins Crew International). The piece was performed by LaTasha Barnes, Ryan Webb, Emily Wessel, Giovanni Galleno, Gabe Galbraith, Phillip Chang and Rashaad Pearson.

You can see Urban Artistry again at The Performing Arts Center at Montgomery College on Saturday, March 6th, 2010 at 11:00am for the centers 2009-2010 Saturday Morning Childrens Performing Arts Series. See the link below for more information!

http://www.montgomerycollege.edu/pac/tp_childrens_events/urban_artistry.htm

If you would like to see Urban Artistry at your school please contact:

http://www.classactsarts.org/

Class Acts Arts

8100 Georgia Avenue

Silver Spring, MD 20910

Phone: 301-588-7525

Toll-Free: 866-458-8966

Fax: 301-588-7270

Email: Info@classactsarts.org

Rizqi Rachmat joins the faculty at The Dance Institute of Washington for the Fall 2009/Spring 2010 season!

www.danceinstitute.org

The Dance Institute of Washington
202-371-9656
Located at 3400 14th Street,
NW Washington, DC 20010.
Conveniently located and Metro accessible in the revitalized Columbia Heights section of Washington, DC.

Join Rizqi Rachmat (Urban Artistry, Assassins Crew)

Saturdays for Youth Hip Hop Classes

12:45pm and 2:30pm (Fall 2009- Spring 2010)

Rizqi is in high demand as a dance educator who combines years of urban dance, freestyle/fusion hip hop, performance choreography and competitive martial arts study into his classes for a fun, eclectic and original style. He has extensive experience as a youth dance educator and choreographer from his years as the Director for Future Shock, DC and has created countless performance choreographies for local classes and companies in the DC Metro Area. As a founding member of Urban Artistry and an active member of the International Assassins Crew, Rizqi has found himself competing, performing and judging all over the world with his unique and memorable style. He recently directed the Urban Artistry Youth Performers in the Cozza Connection Project DC for DJ Basnectars Fall 2009 tour, along with apprentice Artistic Directors Desmond Howard and Gabe Galbraith and has played a major role alongside the other talented Urban Artistry Artistic Directors, in the development of the performance "Time to Come Home: A Tribute" with Coyaba Dance Theater winner of the Metro DC Dances Award for Emerging Performer or Group in 2009. When he is not practicing various form of movement, he is traveling or studying an array of topics in the field of Economics, Culture, Education and Peace in the Middle East both locally and abroad. Join him on Saturday's at the Dance Institute of Washington or for other special workshops throughout the DC Metro Area.

COZZA CONNECTION DC a collaboration with DJ Bassnectar, Urban Artistry and Hip Hop Education- Thursday Nov 12th 2009 at the 9:30 Club

A Cozza Connection community service spotlight on Hip Hop Education and Urban Artistry.

Hip Hop Education is a DC-area organization dedicated to "keeping it street" by providing real, empowering, and positive lyrics for area children to perform and listen to.

http://Hiphopeducation.us/

Urban Artistry is an internationally known, multigenerational performance organization that spans the spectrum of performance styles. Urban Artistry has incredible knowledge of the capacity of our bodies, and respects the value of movement for everyone. Because of this respect, much of the funds they raise and the work they do is contributed to provide prosthetic limbs to child amputees in partnership with Kicking for Kids Who Can't, because nothing should slow these kids down.

http://urbanartistry.org/

Produced by Megan Keefe and Petri Dish TV. Huge thanks is due!

Written by Lia Holland of Bassnectarlabs and Community Activism

This film created by the amazing filmmaker Megan Keefe and her crew, documents a collaboration project between Urban Artistry: an International Culture and Education Project based in Washington, DC and Hip Hop Education, a 501(c)(3) located in Maryland which was created to help provide children with rap & hip hop lyrics that speak to their experience and are age appropriate.

The collaboration project is sponsored by the Fall 2009 DJ Bassnectar Tour. Please visit the 9:30 Club on Thursday, November 12th 2009 at 8:00pm to see the youth from both organizations perform their work live before the show!

Thank you to everyone who made this project possible,
Everyone from Hip Hop Education,
filmmaker Megan Keefe and her crew,
Show Director Rizqi Rachmat,
Director of Operations at Urban Artistry Emily Wessel,
Executive Director of Urban Artistry Junious "House" Brickhouse,
Urban Artistry Director of IT Management Harley "Halfstep" Jackson who made the connection with KFKWC possible,
all the Urban Artistry members who helped out,
The Assassins Crew and Cab Cru for their support in this project,
the youth and parents from Urban Artistry,
Youth Show Directors Gabe Galbraith and Desmond Howard,
Tim and Ginna Goodenow from Kicking for Kids who Can't,

Lia from the Dj Bassnectar Tour and most importantly DJ Bassnectar for allowing us to provide this performance space for our kids!

Great work everyone!

See the documentary & performance Live at the DJ Bassnectar Cozza Frenzy Tour Show at the 9:30 Club on Thursday, November 12th, 2009 at 8:00pm- get your tickets early before they sell-out! This event is going to be amazing!

See a preview of the documentary on youtube at this link: