Education of Maren Cummings, Assistant Operations Director at Urban Artistry

I have always loved learning; from staying late to sharpen pencils in fourth grade to drawing mental maps to connect texts in grad school (I’m dorky, I know).

… yes, that’s me on the far right with my 4^th grade Urkel glasses

So, it was a particularly hard decision for me to leave grad school in 2008 to dance. It was an emotional decision to leave the ivory tower, but as much as I tried to infuse dance into my studies (I did learn a lot from those Performance Studies books) and my schedule, I couldn’t do both and keep my sanity. And I knew that I needed dance in my life.

… my first year of college… minus the Urkel glasses

The tipping point for my decision – what made my choice stick was truly thinking about how Urban Artistry teaches. I was used to dance classes, but Urban Artistry’s teaching goes above and beyond classroom teaching. It’s not about teaching choreography, although that does happen; it’s about learning the history of the movements and the music, learning to apply concepts in your own way, learning from everyone in the class, and creating a space that’s safe enough to freely explore movement, but directed enough to make that movement dynamic.

Some of the most important lessons I have learned from Urban Artistry have happened outside of the dance studio. Urban Artistry encouraged me to get into my first cypher after 10 years of studio dancing and lurking on the sidelines (Thanks House!) Urban Artistry showed me how to build deeper friendships and how to truly push through character flaws to become the person I want to be (I’m still working on this .. but thanks for the guidance, Em).

Urban Artistry teaches me every day to be a student who is ready to learn. Those all-nighters from college turn into almost-all nighters in cyphers… riding the fumes of that inspiration to work a few hours later.

The research and thesis papers I wrote have paved the way for me to contribute to art grant proposals. My desire to learn to teach has been enhanced by being a student to such giving and patient artistic and operations directors.

I realize that I have surrounded myself with a dream team of educators to learn from and give back with- from music teachers, to SPED teachers, to life coaches and cultural ambassadors. Most recently, I realized how many layers of learning I was able to touch when I asked Urban Artistry to teach dance in my after-school program. I am used to doing homework help, art projects, and science projects with our youth, but to see them dance brings out a whole new side of them. Where they may hesitate to raise their hand to give an answer, they will raise it in a second to start a body wave. While they have down pat the dougie and the jerk, they had to learn to push themselves to learn old school hip hop moves. While they trust and test each other in the classroom, they had to re-explore that trust to get down with each other in cypher.

I am thankful everyday for having so many positive teaching role models and for being able to always be a student. Embrace all of who you are!

Inside the Headphones w/ DJ Mate Masie

Join us for this week's blog featuring a video from Artistic Director, Russell Campbell aka DJ Mate Masie. In today's blog Russ gives us a look and a listen as to how it sounds to be:

INSIDE THE HEADPHONES...

http://youtu.be/cT5sDVVWE64

Thoughts from LaTasha Barnes of Imani Wellness & Urban Artistry

Meet LaTasha Barnes, one of several Artistic Directors at www.urbanartistry.org.

Tasha has achieved many of her dreams this past year, winning the world championships for House Dance at Juste Debout w/ partner and dear friend Oluwatoyin Sogunro. It was a historical win because they were the first women and the first Americans to take home the title!

http://youtu.be/Z7Y9zCExqFE

http://youtu.be/aND-8nnzezc

She left her military "day-job" to pursue her long-standing wellness company (www.imaniwellness.com) full-time and got hitched to her "hunny bunny" Richard Hall last April. He has been a wonderful addition to the UA family!

Check out her blog below to learn more about what's behind this multi-talented artist:

"When I sat down to compose this week’s blog for my beautiful Urban Artistry family, I found myself completely overwhelmed with topics that I really wanted to write about. There were so many that I couldn’t pick one – until today.

While cleaning out my file cabinets, part of my New Year clean up J, I came across a letter I wrote to myself back in 2003. Being the hyper Type-A person I was then, I had documented everything that was going on when I wrote the letter: my mood – hopeful, excited & amped; my surroundings – my (then) newly purchased townhome in Fredericksburg; and my sounds – Musiq Soulchild – Album: Juslisen, Song: Future. I was immediately taken back to the moment I wrote the letter, filled with all the inspiration and motivation of that time in my life and all that I dreamed for myself. I immediately went to YouTube to listen to the song and sang along to my favorite part:

'Don't worry you can do it, baby (It's yours)

Ain't really nothing to it, baby (It's easy)

Take your time and you can do it cuz

Whatever you want, it's all up to you.

It ain't hard

I promise you can get it, but in order for you to get it, you gotta be in it.

(Alright)

And once you in it, you can win it, cuz whatever you want, it's all up to you

It ain't hard (word)'

http://www.youtube.com/watch?v=SnuDnNljpIQ

That song has always given me so much inspiration and energy; I had to share it with you guys. Every time I hear its bass line and the words of triumph come through the speakers, I feel as though I truly can take on the world – AND WIN! That feeling, that super splendifourlusly awesome ‘can-do attitude’ is what I needed to share more than anything else.

At this time of year, a lot of us are setting new goals. We are looking for inspiration, motivation and the faith to accomplish a laundry list of things, or maybe just one thing. With it being the beginning of a new year of competitions, shows, and events, many of us have set out to move beyond being spectators and engaging more in the competitive and creative arenas. I challenge everyone to share their goals with someone who inspires them and develop a plan towards actually achieving them. We should not allow ourselves to become discouraged by what life may place before us.

Refuse to lose, refuse to settle, and refuse to dream silently.

Give life to your dreams by talking about them – by building up those dreams in others, your dreams will come to life."

'1 mo round' aka Giovanni Galleno of CAB CRU

When it comes to writing a blog I must admit it feels like the very first cypher experience. Itching to run in, cautious to not stumble and ruin your entire decade. a glimpse of your favorite dancer doing your favorite run from your favorite battle....you say to yourself...."I wanna do that!" Then you imagine the most sloppy looking run from the most annoying dancer from the battle you always fast forward on the tape....and you say "I hope I don't ever do that".

With that being said I would like to share my most favorite experience in an open cypher. As this is my first blog for Urban Artistry and I hope it will be memorable to others and not just me. Back in May of 2000 I attended 99.1 HFStival. This was a concert held at RFK Stadium. Throughout the entire day I was just groovin on my own and head banging and moshing and having a ball. There was a surprise guest this year...Run DMC. They came on after 311 and had a great set....I was on the side where it was clear and began to try to TopRock and do footworks... haha I was off beat like a mug. Anyway, after that Jimmy's Chicken Shack came on and it was game time! After the first track I managed to break into the mosh pit and decided to establish myself.... napoleon complex lol. I managed to stay on my feet and when the dust cleared and the hook of the song played...I decided to let these dudes know what else I could do. I started to do some tops and hit like 10 swipes and a quick backspin to a basic chair freeze... After that another bboy from Baltimore started to dance... we battled... can't remember who won, but it was hyped up by the innocent bystanders. The other bboy was bboy Avy, at the time he was a founder of Phusun Force Crew, now in Deadly Venoms Crew.

That moment was more memorable than any other in dance I have ever had, maybe ever will

Do you have a similar story?

Do you have similar interests in music?

Did you meet a dancer somewhere you never thought you would?

My name is Giovanni "1MoRound" Galleno of the Counter Attack Breakers Crew (CAB Crew) DC Chapter established 1997 and Artistic Director in Urban Artistry established 2005. I challenge you to share your thoughts on unexpected events and happenings in your chosen art form.

DJ Baronhawk Poitier - Baaad Assssss!

Every time I post a mix publicly I want my audience to be surprised as to what they will hear. I never upload mixes back to back that are the same genre. The titles never hint at the genre of the mix. The name might be something I think has a little ring to it or its just an inside joke I've come up with during the process for my own amusement. I usually don't share any information about my mixes at all! However.. you're in luck. You get some background behind this mix (yay).

This mix serves three purposes. First of all its a promo mix for my monthly funkebration (yes, funk and celebration had a baby) called Bad Ass! Secondly, I wanted to mix music that I don't hear being spun very often in a way that I don't ever hear it spun. Most of the tracks are sped up to increase their intensity and power. Lastly, I wanted to tribute something to Rashaad and Ryan with a Strutting mix.

Check out the mix here: DJ Baronhawk Poitier - Baaad Assssss!

Check out the fan page: http://www.facebook.com/DJBaronhawk

Check out the event page: http://www.facebook.com/events/131671616943022/

A Musical Journey with Russell Campbell

The torrential rain storm could not keep Russell Campbell’s fans from attending his set at 18th Street Lounge (ESL) this past Sunday evening. Also known as DJ Mate Masie, his entire two hour mix compelled us to feel as if we were all dancing on the edge of our own record. A record that Russell had brilliantly created with music he chose to play - or music that chose him.

One thing you should know about Russell is when you first see him on the dance floor, he exerts a radiant energy that puts you in a trance. Allowing for the music to move him, his motion is fluid. Once he stops to take a break and you have the chance to talk to him, you realize that not only is there deep sincerity, but patience and understanding as well. This appropriately explains Russells’ choice for the name Mate Masie, which originates from the West African Adinkra symbol and is interpreted as, “You understand what you hear.”

Much like a composer creates a story with her score Russell has created his own, bridging two of his many passions: music and dance. Humbly, he realizes that he was not alone in this creation; who he is today stems from his true roots.

Born in 1983 and raised in Silver Spring, MD, Russell was exposed to music from all genres at an early age. Coming from an extensive, talented musical family, Russell’s grandfather, Bill Campbell, played tenor with the legends (– The Intruders, James Brown and Etta James, to name a few), his grandmother, Pauline Campbell, sang at the Good Hope Methodist Church and also played the Hammond B-3 organ, and his father, Vincent Campbell Sr., is a vocalist who plays bass guitar.

Though Bill Campbell would not all allow for Russell to take part in his band (Russell recalls a conversation where Bill told him, “You aren’t old enough”), when it came to music, he was Russell’s greatest inspiration. A WWII veteran, he spoke very little and the two were able to communicate through music. Both playing the saxophone, his grandfather would play notes or patterns which Russell would then mimic. This was one of many lessons that Russell learned from his grandfather, and mimicking sounds would help him much sooner than he thought.

After learning from his grandfather that he was not allowed to play with his band, Russell was determined to make music a personal goal. He spent many hours in the family room, which was set up like a small studio, where he would play the piano, drum set and saxophone. In middle school he auditioned for the school band and for two years mimicked the sounds from those around him. He finally confided in his conductor that during all of this time he could not read sheet music. Instead of being upset, his conductor only challenged him more, asking him to play the bassoon. During his high school years, Russell was not only an incredible athlete on the field but simultaneously played percussion in the drum core.

Once Russell turned 16, he hit the ground dancing. “Music and dance, that’s what I did.” With his collection of records expanding along with an interest in becoming a DJ, Russell was soon introduced to house music. House music is a style of electronic dance strongly influenced by disco with elements of soul and funk. It originates from a Chicago nightclub, otherwise known as The Warehouse which was popular from 1977 to the mid-80's.

Russell received his first house record from DJ Black Caesar and being a B-Boy from Silver Spring who usually danced to funk, he assumed he would not care for it. However, when the needle hit the vinyl and the sounds of ‘We Lift Our Hands in the Sanctuary’ played by Una and DJ Oji and ‘Love and Happiness’ by India MAW rattled his eardrums, he was hooked.

In his early twenties, Russell started spending more time at Club Red, where the party ‘Underground Soul Solution’ was held. Each night, Club Red was a new experience for Russell. He was overwhelmed that there was a room full of people who were moving together and no one was stealing the spotlight, as b-boys have a reputation of doing. He suddenly felt the need to experience this feeling more and more – to see how other people lived their lives and why they danced the way they did. He soon came to accept that breaking was not the only dancing style. Those moments triggered a new energy in him, and soon he too was dancing with the wave of others. He was able to release his emotions through dance and accept his feelings, as well as accept what others were feeling. After all, the mentality of dancing with an open mind and spirit are vital to growth in the musical and dance world.

It was here at the Underground Soul Solution where Russell first met the infamous DJ Sam “The Man” Burns. Through the years, Russell had been influenced by Sam by watching and listening to him mix. Russell quickly learned that Burns had the musical ability to emotionally release those who were open, thereby allowing the music to take them for a ride.

The more time he spent listening to DJs and dancing, the more he learned how a crowd reacts to music. He now knows how to take control of the room and how to tell a story differently each time, even if the same track is played. Russell explains that house music is a way to express yourself and allows you to keep yourself in a place of understanding, hence DJ Mate Masie. As he explained, “the people are counting on you to keep the energy up and to keep them engaged.”

Advice Russell gives for those in the musical industry is that it is essential for musicians to do their research. “It’s your goal to actually be the researcher so you can play the songs or the tunes that people can feel parallel to.” This research will provide the knowledge that eventually helps musicians relate to the crowd as well as the ability to keep themselves in a place of understanding - that way, they are not solely playing but also teaching.

Russell embraces change. He sees this not only in the beat of music, but also in plants, animals, people and life. How fitting his response, when I asked him what his favorite season is and he replied with, "fall".

Russell has evolved since the beginning of his musical and dancing career and continues onward. And I for one am excited to watch this evolution – a man who not only lives a legacy but shares it.

A sample of DJ Mate Masie's music from last Sunday at ESL....

Russell Campbell is an acting artistic director, teacher, performer and producer of films with Urban Artistry.

-mea

First USA champs & first female champs at Juste Debout 2011- House Dance

Urban Artistry (www.urbanartistry.org) is proud to announce Artistic Director's LaTasha Barnes and Oluwatoyin Sogunro as the first USA team and the first female team to take home 1st place in the world championship for House Dance in the 2011 Juste Debout competition (http://www.juste-debout.com). Led by mentor Junious "House" Brickhouse (Founder/Executive Director of Urban Artistry), these girls did an amazing job bringing home the title for the Assassins Crew/Urban Artistry family.

See their wonderful performance at the Paris de Bercy stadium in France March 7, 2011at the link below. http://canalstreet.canalplus.fr/danse/juste-debout-2011/juste-debout-2011-finale-house-dance

Tasha and Toyin can be found at Dance Bethesda on Thursday and Sunday evenings, along with the rest of the UA family who have taken up residency at the local downtown Bethesda studio since early Fall 2010. The dance company provides a range of urban dance education classes for all ages and all levels to enjoy at only $10 per class. Join them every Thursday at 8227 Woodmont Ave #2B, Bethesda, MD 20814 to learn more about these amazing dance styles, their history and the communities they serve.


6pm Breakdance (bboy/bgirl) w/ Russell "Ironman" Campbell
http://www.youtube.com/watch?v=QkcPFt77seM


7pm Hip Hop/Popping w/ Rashaad Pearson
http://www.youtube.com/watch?v=4ctuYjmFNRg
http://www.youtube.com/watch?v=IsQAfL-PCX0


8pm House Dance w/ Junious "House" Brickhouse
http://www.youtube.com/watch?v=6JU0wYIbOfc